She was in the middle thirties, and faintly stout, but she carried her surplus flesh sensuously as some women can. Her face, above a spotted dress of dark blue crepe-de-chine, contained no facet or gleam of beauty but there was an immediately perceptible vitality about her as if the nerves of her body were continually smouldering. She smiled slowly and walking through her husband as if he were a ghost shook hands with Tom, looking him flush in the eye.
Communication Technology Essay
Then she wet her lips and without turning around spoke to her husband in a soft, coarse voice:. A white ashen dust veiled his dark suit and his pale hair as it veiled everything in the vicinity—except his wife, who moved close to Tom. Her first action is to order her husband to get chairs, and the second is to move away from him, closer to Tom. In contrast to Tom and Daisy, who are initially presented as a unit, our first introduction to George and Myrtle shows them fractured, with vastly different personalities and motivations.
We get the sense right away that their marriage is in trouble, and conflict between the two is imminent.
I never was any more crazy about him than I was about that man there. Generally he was one of these worn-out men: when he wasn't working he sat on a chair in the doorway and stared at the people and the cars that passed along the road. When any one spoke to him he invariably laughed in an agreeable, colorless way.
Kinship: Definition in the Study of Sociology
He was his wife's man and not his own. Rather than face the world as a unified front, the Wilsons each struggle for dominance within the marriage. A moment later she rushed out into the dusk, waving her hands and shouting; before he could move from his door the business was over. So despite the outward appearance of being ruled by his wife, he does, in fact, have the ability to physically control her.
Transitions - The Writing Center
This outbreak of both physical violence George locking up Myrtle and emotional abuse probably on both sides fulfills the earlier sense of the marriage being headed for conflict. The instability of their marriage thus seems to come from the instability of their financial situation, as well as the fact that Myrtle is more ambitious than George. Fitzgerald seems to be arguing that anyone who is not wealthy is much more vulnerable to tragedy and strife.
Myrtle and George are a very slow burn that eventually explodes. So how did this ill-fated love story begin? Gatsby maintained the lie, which allowed their relationship to progress. Gatsby fell in love with Daisy and the wealth she represents, and she with him though apparently not to the same excessive extent , but he had to leave for the war and by the time he returned to the US in , Daisy has married Tom Buchanan.
Determined to get her back, Gatsby falls in with Meyer Wolfshiem, a gangster, and gets into bootlegging and other criminal enterprises to make enough money to finally be able to provide for her. By the beginning of the novel, he is ready to try and win her back over, ignoring the fact she has been married to Tom for three years and has a child.
So does this genius plan turn out the way Gatsby hopes? Can he repeat the past? Not exactly. In the first chapter, we get a few mentions and glimpses of Gatsby, but one of the most interesting is Daisy immediately perking up at his name. Then it had not been merely the stars to which he had aspired on that June night. He came alive to me, delivered suddenly from the womb of his purposeless splendor. She also explains how Daisy threatened to call off her marriage to Tom after receiving a letter from Gatsby, but of course ended up marrying him anyway 4.
This sets the stage for their affair being on unequal footing: while each has love and affection for the other, Gatsby has thought of little else but Daisy for five years while Daisy has created a whole other life for herself. But this initial dialogue is fascinating, because we see that Daisy's memories of Gatsby are more abstract and clouded, while Gatsby has been so obsessed with her he knows the exact month they parted and has clearly been counting down the days until their reunion.
They were sitting at either end of the couch looking at each other as if some question had been asked or was in the air, and every vestige of embarrassment was gone. Daisy's face was smeared with tears and when I came in she jumped up and began wiping at it with her handkerchief before a mirror. But there was a change in Gatsby that was simply confounding.
He literally glowed; without a word or a gesture of exultation a new well-being radiated from him and filled the little room. After the initially awkward re-introduction, Nick leaves Daisy and Gatsby alone and comes back to find them talking candidly and emotionally. Gatsby has transformed — he is radiant and glowing. Although our narrator, Nick, pays much closer attention to Gatsby than Daisy, these different reactions suggest Gatsby is much more intensely invested in the relationship. His heart beat faster and faster as Daisy's white face came up to his own.
He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning fork that had been struck upon a star. Then he kissed her. At his lips' touch she blossomed for him like a flower and the incarnation was complete.
We see explicitly in this scene that, for Gatsby, Daisy has come to represent all of his larger hopes and dreams about wealth and a better life — she is literally the incarnation of his dreams. I can't help what's past. This moment further underscores how much Daisy means to Gatsby, and how comparatively little he means to her. She was the first "nice" girl he had ever known. In various unrevealed capacities he had come in contact with such people but always with indiscernible barbed wire between.
He found her excitingly desirable. He went to her house, at first with other officers from Camp Taylor, then alone. It amazed him—he had never been in such a beautiful house before. But what gave it an air of breathless intensity was that Daisy lived there—it was as casual a thing to her as his tent out at camp was to him.
There was a ripe mystery about it, a hint of bedrooms upstairs more beautiful and cool than other bedrooms, of gay and radiant activities taking place through its corridors and of romances that were not musty and laid away already in lavender but fresh and breathing and redolent of this year's shining motor cars and of dances whose flowers were scarcely withered. It excited him too that many men had already loved Daisy—it increased her value in his eyes.
He felt their presence all about the house, pervading the air with the shades and echoes of still vibrant emotions. So could Daisy have really been happy if she ran off with Gatsby? Daisy has moved on and he can never return to that beautiful, perfect moment when he kissed her for the first time and wedded all her hopes and dreams to her. Gatsby's problem is seeing time as circular rather than linear.
Introduction to R
Myrtle sees the affair as romantic and a ticket out of her marriage, while Tom sees it as just another affair, and Myrtle as one of a string of mistresses. The pair has undeniable physical chemistry and attraction to each other, perhaps more than any other pairing in the book.
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So what drives this affair? What does it reveal about Tom and Myrtle? The airedale—undoubtedly there was an airedale concerned in it somewhere though its feet were startlingly white—changed hands and settled down into Mrs. Wilson's lap, where she fondled the weather-proof coat with rapture.
Go and buy ten more dogs with it. Myrtle pulled her chair close to mine, and suddenly her warm breath poured over me the story of her first meeting with Tom. I was going up to New York to see my sister and spend the night. He had on a dress suit and patent leather shoes and I couldn't keep my eyes off him but every time he looked at me I had to pretend to be looking at the advertisement over his head.
When we came into the station he was next to me and his white shirt-front pressed against my arm—and so I told him I'd have to call a policeman, but he knew I lied. I was so excited that when I got into a taxi with him I didn't hardly know I wasn't getting into a subway train. All I kept thinking about, over and over, was 'You can't live forever, you can't live forever. Not exactly the stuff of classic romance! She is an easy person for Tom to take advantage of.
Some time toward midnight Tom Buchanan and Mrs. Wilson stood face to face discussing in impassioned voices whether Mrs. Wilson had any right to mention Daisy's name. Despite the violence of this scene, the affair continues. Myrtle is either so desperate to escape her marriage or so self-deluded about what Tom thinks of her or both that she stays with Tom after this ugly scene. There is no confusion like the confusion of a simple mind, and as we drove away Tom was feeling the hot whips of panic.
His wife and his mistress, until an hour ago secure and inviolate, were slipping precipitately from his control. It has very little to do with his feelings for Myrtle herself. By God it was awful——" 9. While Daisy and Gatsby have history, Tom and Myrtle got together recently. Even though for a moment he felt himself losing control over his life, he quickly got it back and was able to hide in his money while Gatsby, Myrtle, and George all ended up dead thanks to their connection to the Buchanans. Tom's subtlety in dealing with Myrtle. Want to write the perfect college application essay?
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But there is one more relationship in the novel, one that is a bit disconnected to the others. Nick and Jordan are the only couple without any prior contact before the novel begins aside from Nick apparently seeing her photo once in a magazine and hearing about her attempt to cheat.
So by the end of the novel, Nick sees Jordan is just as self-centered and immoral as Tom and Daisy, and his earlier infatuation fades to disgust. She, in turn, calls him out for not being as honest and careful as he presents himself as.